Beauty

I have quoted from Joan Chittister in my blog before. She writes evocatively about beauty and artmaking. The following is from “Thirst for Beauty, Thirst for Soul,” the essay that introduces the book Creation out of Clay: The Ceramic Art and Writings of Brother Thomas (Pucker Gallery, 1999):

Beauty . . . lifts life out of the anesthetizing effects of the pedestrian and gives us a reason for going on, for being, for ranging beyond our boundaries, for endeavoring always to be more than we are. It enables us to pause in time long enough to remember that some things are worth striving for, that some things are worth doing over and over again until they become their breathless selves, that some things are beyond our grasp yet within our reach. Beauty brings with it the realization in the midst of struggle, in the depths of darkness, in the throes of ugliness, that the best in life is, whatever the cost, really possible.

It is the artist’s task, then, to take us beyond the invisible to the height of consciousness, past the humdrum to the mystical, away from the expedient to the endlessly true. The artist shows us what we thought we could never, perhaps should never, see: the soul of a tree, the suffering of the helpless, the bowels of a color, the brilliance of a darkness that reveals the unconquerable light, a form without failing. The artist takes a piece of life and turns it inside out for us and, in the doing, turns us inside out over it, as well. We look at something for which we have no words and we ache for the voice that can make beauty tangible. We touch the beautiful and reframe our own vision of the world. We see something which we have looked at many times but never really seen before and find ourselves less alone in the universe because someone else has touched what we have touched, felt what we have felt, known what we have known. Then, we are never the same again because we have seen a rent in the fabric of eternity, gotten an insight into timelessness, come face to face with the ultimate. Then, we have seen a bit of the Beauty out of which beauty comes. . . .

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From Rilke’s Book of Hours

My sister sent me this poem by Rainer Maria Rilke, from his Book of Hours, translated by Anita Barrows and Joanna Macy. It speaks to me deeply. “Go to the limits of your longing,” indeed:

God speaks to each of us as he makes us,
then walks with us silently out of the night.

These are the words we dimly hear:

You, sent out beyond your recall,
go to the limits of your longing.
Embody me.

Flare up like flame
and make big shadows I can move in.

Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Don’t let yourself lose me.

Nearby is the country they call life.
You will know it by its seriousness.

Give me your hand.

—Rainer Maria Rilke, Book of Hours I, 59

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Martha Graham

I have to share a profound quotation from dancer and choreographer Martha Graham that my friend and fellow artist Shirley Wagner just shared with me:

There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. . . . No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.

Context deepens the resonance of her words for me. The quotation comes courtesy of fellow choreographer Agnes de Mille, in Martha: The Life and Work of Martha Graham (Random House, p. 264), who precedes the Graham quotation with: “The greatest thing she ever said to me was in 1943 after the opening of Oklahoma!, when I suddenly had unexpected, flamboyant success for a work I thought was only fairly good, after years of neglect for work I thought was fine. I was bewildered and worried that my entire scale of values was untrustworthy. I talked to Martha. I remember the conversation well. It was in a Schrafft’s restaurant over a soda. I confessed that I had a burning desire to be excellent, but no faith that I could be. Martha said to me, very quietly . . .”

Researching this quotation led me to these other inspiring gems from Graham, the sources of which I don’t know, unfortunately:

I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each, it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one’s being, a satisfaction of spirit. One becomes, in some area, an athlete of God. Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.

Read more of this at the web site This I Believe. Also:

All that is important is this one moment in movement. Make the moment important, vital, and worth living. Do not let it slip away unnoticed and unused.

Dancing is just discovery, discovery, discovery.

Nobody cares if you can’t dance well. Just get up and dance. Great dancers are not great because of their technique, they are great because of their passion.

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Changes

If you are reading this blog in early January, you will be seeing it change, maybe even moment to moment, while I update the look of it. Bear with me, please. The content remains the same, even as the look changes.

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Flux hosts two benefits

Flux Gallery is hosting two benefits in January 2011. The first, on Friday, January 21, will benefit the Primavera Foundation. The second, on Saturday, January 22, will benefit the Ben’s Bells Project. Featured at both will be the art of Peter Eisner, Carol Ann, Katherine Minott, Lee Roy Beach, Maurice Sevigny, and Shirley Wagner, as well as, of course, my work, with 30 percent of sales of the artwork going to the organizations.

The mission of the Primavera Foundation is to provide pathways out of poverty through safe, affordable housing, workforce development, and neighborhood revitalization. It addresses the systemic causes of homelessness by providing a continuum of services designed to move people out of poverty and into a self-sustaining life. These services include: street-level outreach, drop-in services, emergency shelter, transitional housing, permanent affordable housing, workforce development, financial education, homeownership opportunities, and neighborhood revitalization.

Join us at Flux on Friday, January 21, from 5:30 to 8 p.m. to support this important and necessary organization. Add beauty to your home and help someone else find a home at the same time.

Flux Gallery presents an evening of art to benefit the Primavera Foundation, Friday, January 21, 2011.

The Ben’s Bells Project, begun by Ben’s family to commemorate Ben’s sudden death at age two, has as its mission is “to inspire, educate and motivate each other to realize the impact of intentional kindness and to empower individuals to act according to that awareness, thereby changing our world.”

Ben’s Bells are beautiful ceramic wind chimes, crafted and assembled by hand by people all over Tucson and beyond. By the time a Ben’s Bell is assembled, at least ten people have worked on it, making it a true community effort. Ben’s Bells are not for sale. Twice a year, hundreds of Ben’s Bells are hung randomly in public places around Tucson and beyond, with a written message to simply take one home and pass on the kindness. The only way to get a Ben’s Bell is to find one or to be “Belled.” To date, more than 17,510 Ben’s Bells have been released.

The point? To remind people how much power they have each day to make the world a better place simply by being kind.

Help support this organization by joining us at Flux on Saturday, January 22, from 5 to 8 p.m., for “Connecting through Kindness: An Evening of Art.” Learn more about Ben’s Bells and how to get involved at their web site, bensbells.org.

Flux Gallery presents "Connecting through Kindness," an evening of art to benefit the Ben's Bells Project, Saturday, January 22, 2011.

Flux Gallery is located at Plaza Palomino in Tucson, at the southeast corner of Swan and Fort Lowell Roads, in Suite 136, across from Dark Star Leather and next to Abstrax Salon and Day Spa. Its normal business hours are Monday through Saturday, 11 a.m. to 4 p.m.

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Winter small-works show at Flux

Small-works show at Flux Gallery, December 10 and 11

Flux Gallery will feature small works for sale on Friday and Saturday, December 10 and 11, 2010, from 11 a.m. to 4 p.m., in conjunction with Grey Dog Trading Company’s annual winter Zuni fetish show. (Grey Dog is just a few doors away from Flux at Plaza Palomino.) Customers who present a same-day receipt from Grey Dog will receive a 10% discount on the small works at Flux, or Flux customers can present a same-day receipt from Flux at Grey Dog to receive a 10% discount on their fetishes.

In addition to the small works by member artists Carol Ann, Lee Roy Beach, Peter Eisner, Maurice Sevigny, Shirley Wagner, and me, we will also have work by incoming Flux member Katherine Minott, a photographer with a love of color and texture. Katherine won’t officially be joining Flux until January, but this show will give visitors a preview of what is to come.

Join us next weekend at Plaza Palomino, and give your loved ones the gift of beauty this season. For further information, please contact Flux (520-299-5983) or Grey Dog (520-881-6888) directly.

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Big Brothers Big Sisters Southwest Flair A-Fair

Big Brothers Big Sisters Southwest Flair A-Fair, November 5 to 7, 10 a.m. to 5 p.m.

The Big Brothers Big Sisters Southwest Flair A-Fair is coming up soon, November 5 to 7 (Friday–Sunday), 10 a.m. to 5 p.m. each day, at Plaza Palomino. It’s an excellent chance to get started on your holiday shopping while supporting a terrific cause. I will be in my usual location, booth 88, in the east parking lot, close to La Placita Cafe. I will also have work up in Flux Gallery in the plaza.

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Flux anniversary

Flux celebrates one year on Friday, October 8, 5 to 8 p.m.

Come for our reception and stay at Plaza Palomino for a concert by It’s a Beautiful Day, of “White Bird” fame. You can find ticket and other information about the concert at the Rhythm and Roots website.

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“The beauty that changes the soul of the world . . .”

Another quotation, this one from “Thirst for Beauty, Thirst for Soul” by Joan Chittister, in Creation out of Clay: the Ceramic Art and Writings of Brother Thomas

“What we do not nourish within ourselves cannot exist in the world around us because we are its microcosm. We cannot moan the loss of quality in our world and not ourselves seed the beautiful in our wake. We cannot decry the loss of the spiritual and continue to function only on the level of the expedient. We cannot hope for fullness of life without nurturing fullness of soul. We must seek beauty, study beauty, surround ourselves with beauty. To revivify the soul, the world, we must become beauty. Where we are must be more beautiful than it was before our coming.”

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Brother Thomas

I was attracted initially to the quotation I shared in my last blog post, but that led me to check out the work of Brother Thomas himself. What an extraordinary ceramic artist! Please check it out for yourselves. And don’t miss the catalog of his exhibition at Pucker Gallery.

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